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No Words are Wasted

  • Writer: Brynna Campbell
    Brynna Campbell
  • May 11
  • 3 min read

Some days, my fingertips hover over the keyboard, fixated on the same scene. I type out words that make no sense, giving the story zero direction and purpose. My characters and I can't connect, the plot points are jumbled, and the timeline is out of order.


After several hours of this, I feel burned out. The draft is a mess, and the story I'm desperately chasing feels further away than when I started. I feel the urge to press delete and pretend it never happened.


As writers, we fight wars within ourselves daily, over perfectionism, fear, self-doubt, discipline, and the need for control over our stories. Every sentence is a reflection of our own vulnerabilities and the risk of being misunderstood and judged. All of our private struggles are exposed on a piece of paper for anyone to read; it's our battleground.


The lies we tell ourselves are what give the enemy inertia a fighting chance.  


The Lie: "These Words Don't Matter."

The moment this lie invades our minds, we begin to let it take over and throw away an entire day's work.


I find this typically happens to me when I have difficulty connecting my plot points or when I start to play a dangerous game, comparing myself to other writers. I want my work to have meaning and to portray a message that someone else can relate to. There are so many incredible authors who have done an excellent job of just that, and too often I feel like I fall short.


This lie cuts deep. It turns practice into "failure" instead of progress. We think "this is stupid" or "my idea sucks," instead of considering why this idea doesn't work and coming up with an alternative strategy. We stop learning from our first or even third attempts, then convince ourselves we're not real writers.


The Truth: No Words are Wasted.

Writing is a trial-and-error process; some days the words flow through you effortlessly, other days it takes a single sentence to trip you up for hours. These challenging sessions go to show what doesn't work for your story. A messy or wrong scene can tell you if a plot is falling flat, if a character's motivation doesn't ring true, or if your point of view doesn't match your story. You have to first write the wrong version before you know what the right version is. 


Every practice session helps you get to know your characters better. Abandoned backstory teaches ways a character would or wouldn’t react, what desires and goals are forced versus authentic, and what emotional beats move the reader. Even if the words are scrapped, your understanding of the character deepens. 


The bad drafts become an archive of ideas for later: scenes you can rework, lines you can replay, and imagery you can turn into visceral moments. 


Every minute at the desk builds skill and discipline in your writing; you’re practicing sentence rhythm, pacing, transitions, and voice. You train your brain to keep going and how to work without inspiration. For me, the greatest lesson was learning to tolerate the imperfections and to separate my quality of writing during one session from my worth as a writer. 


Practical Ways to Honor Wasted Words

  • Find them a home: create an archive or word treasury you can easily access and return to at any point during your writing process

  • Use them for insights: use your scenes to identify structural weakness and balance narrative modes to enhance emotional depth 

  • Layering technique: don’t view your scenes as random events; instead, view them as layers for your plot and character development

  • Set process-based goals: these are the daily habits that allow you to organize or salvage your work, like spending 10 minutes a day on scene auditing, or hunting for goals to create a subplot or character motivation. 


Nothing is wasted.


Line by line, you can learn to push through your insecurities and the weight of the words you lay bare on the page. Reframing your writing struggles will loosen the grip you hold on perfectionism and accept where you are in the journey. To stop trying to control the story and instead allow it to lead you, all while building enough confidence in yourself to take risks with your words.



 
 
 

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